"Fantasy Variations on a Theme by Niccolo Paganini: XVII. - Recording at Fumon Hall, Tokyo, 1989" by Tokyo Kosei Wind Orchestra, James Barnes was released on July 21, 2001. With Fantasy Variations on a Theme by Niccolo Paganini: XVII. - Recording at Fumon Hall, Tokyo, 1989 being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 28 in Fantasy Variations on a Theme by Niccolo Paganini (Guest Conductor Series Vol.1) by Tokyo Kosei Wind Orchestra, James Barnes. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, Fantasy Variations on a Theme by Niccolo Paganini: XVII. - Recording at Fumon Hall, Tokyo, 1989 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fantasy Variations on a Theme by Niccolo Paganini: XVII. - Recording at Fumon Hall, Tokyo, 1989 by Tokyo Kosei Wind Orchestra, James Barnes is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
マツケンサンバ II | Akira Miyagawa, Osaka Philharmonic Orchestra | B♭ Major | 9 | 6B | 129 BPM | ||
シーゲート序曲 | ジェイムズ・スウェアリンジェン, フレデリック・フェネル, 東京佼成ウインドオーケストラ | E♭ Major | 2 | 5B | 144 BPM | ||
ガラスの香り (Sax.5重奏) | 福田洋介, KEMO SABE Saxophone Quartet | C Major | 2 | 8B | 92 BPM | ||
Song of the Prairie | Rex Mitchell, Japan Air Self-Defense Force Central Band, Hiroyuki Kayo | C Minor | 1 | 5A | 145 BPM | ||
主題 - Opening Theme | Yusuke Honma | E Minor | 3 | 9A | 138 BPM | ||
呪文と踊り | ジョン・バーンズ・チャンス, Tokyo Kosei Wind Orchestra, 大井剛史 | E♭ Major | 2 | 5B | 140 BPM | ||
ルパン三世のテーマ | M8 スーパー吹奏楽団 | B♭ Major | 6 | 6B | 136 BPM | ||
ダッシュケイオウ | Tokyo Kosei Wind Orchestra | C Minor | 7 | 5A | 146 BPM | ||
天満月の夜に浮かぶオイサの恋 | 土気シビックウインドオーケストラ | C Minor | 2 | 5A | 79 BPM | ||
見よ 勇者は帰りぬ - 表彰式 | 赤坂東児 | E♭ Major | 5 | 5B | 84 BPM |
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