Benedetto Ferrari, Furio Zanasi/Alan Curtis's 'Io v'amo e v'amerò' came out on 2000. The duration of Io v'amo e v'amerò is about 3 minutes long, at 3:11. Based on our data, "Io v'amo e v'amerò" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 34 in Ferrari - Il Sansome/Solo Songs by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis. Io v'amo e v'amerò is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Io v'amo e v'amerò by Benedetto Ferrari, Furio Zanasi/Alan Curtis is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Corollarium. Canzon à 5 | Johann Hermann Schein, Ricercar Consort, Philippe Pierlot | G Minor | 2 | 6A | 117 BPM | ||
À Paris sur le petit pont | Pierre Guédron, Véronique Bourin, Doulce Mémoire, Denis Raisin-Dadre | E♭ Major | 1 | 5B | 78 BPM | ||
La cicerenella (Tarentelle napolitaine) | Le Concert de l'Hostel Dieu, Heather Newhouse | B Minor | 4 | 10A | 150 BPM | ||
Tú gitana que adevinas | Anónimo, Dolce Rima, Elena Escartín | A Minor | 3 | 8A | 71 BPM | ||
Marini: Scherzi e canzonette, Op. 5: La vecchia innamorata (Instrumental Version) | Biagio Marini, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM | ||
[Suite en sol mineur]: I. Prélude (No. 63) | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 0 | 11A | 115 BPM | ||
Ich frów mích gen des abentz kunft: III. mitt zuchten schón, gar án gevér | Hugo von Montfort, Eberhard Kummer | D Minor | 0 | 7A | 96 BPM | ||
Alcina, HWV 34, Act 2 Scene 5: Ah! Mio cor (Arr. for Countertenor & String Quartet by Eric Mouret) | George Frideric Handel, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Indianas: IV. Viento Norte | Cuarteto Vocal Cavatina, José Antonio García Fuentes, Aurelio Viribay | A Major | 2 | 11B | 157 BPM |
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