On March 17, 2023, the song "Ariane et Bacchus, Act V: Air pour les combattants" was released by Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Le Concert Spirituel, Herve Niquet, Les Chantres du Centre de Musique Baroque de Versailles's "Marais: Ariane et Bacchus" album is number 40 out of 104. On top of that, France appears to be the country where this track was created. In terms of popularity, Ariane et Bacchus, Act V: Air pour les combattants is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Ariane et Bacchus, Act V: Air pour les combattants by Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
Tombeau pour Mr. de Sainte Colombe - 2ème livre de Pièces de viole (Marin Marais) | Marin Marais, Jerome Hantai, Pierre Hantaï, Rolf Lislevand, Jordi Savall | E♭ Minor | 0 | 2A | 74 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Pièces à deux violes du Premier Livre, Suite en sol majeur: I. Prélude (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | F♯ Major | 0 | 2B | 110 BPM | ||
Alcione - 2Ème Suite - Airs Pour Les Eoliens Et Les Eoliennes - Sarabandes | Jordi Savall, Marin Marais | G Major | 0 | 9B | 83 BPM | ||
Nos esprits libres et contents | Anonymous, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 107 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
… che col partire | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 118 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM |