Maya Beiser's 'Kashmir' came out on August 26, 2014. Since Kashmir is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Uncovered". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Kashmir is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Kashmir by Maya Beiser having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
II | Big DM Energy | B Major | 1 | 1B | 130 BPM | ||
The Futuristik | Rainzooeng | C Major | 0 | 8B | 68 BPM | ||
Water Passion: Stone Song - Live recording | Tan Dun, Maya Beiser, Mark O'Connor, RIAS Kammerchor | D Major | 4 | 10B | 83 BPM | ||
Forlorn | Arash Safaian, Bernhard Wünsch, The Berlin Orchestra | G Major | 0 | 9B | 144 BPM | ||
fallen paradise | johann uhl | A Minor | 4 | 8A | 135 BPM | ||
Bar Basso (for Corrado Beldi) | Rob Mazurek | E♭ Minor | 2 | 2A | 113 BPM | ||
Sala Paints | Alex Baranowski, Andy Brown, London Metropolitan Orchestra | F♯ Major | 3 | 2B | 82 BPM | ||
Entry (Original Apocalypse Concept) [Bonus Track] | Franco Esteve | F♯ Minor | 1 | 11A | 119 BPM | ||
Entree | Anne Bakker | F♯ Minor | 1 | 11A | 147 BPM | ||
In C 2 | Terry Riley, Maya Beiser | D Minor | 5 | 7A | 120 BPM |
Section: 0.8509268760681152
End: 0.8548648357391357