Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Opera, Johannette Zomer, Sandrine Piau, Sibylla Rubens made "Es ist dir gesagt, Mensch, was gut ist BWV 45: Zweiter Teil: Aria: Wer Gott bekennt aus wahrem Herzensgrund" available on March 7, 2007. The duration of Es ist dir gesagt, Mensch, was gut ist BWV 45: Zweiter Teil: Aria: Wer Gott bekennt aus wahrem Herzensgrund is about 3 minutes long, at 3:02. Based on our data, "Es ist dir gesagt, Mensch, was gut ist BWV 45: Zweiter Teil: Aria: Wer Gott bekennt aus wahrem Herzensgrund" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 20 out of 65 in Bach: Cantatas Vol. 18 - Disc 1 by Johann Sebastian Bach, Ton Koopman. The popularity of Es ist dir gesagt, Mensch, was gut ist BWV 45: Zweiter Teil: Aria: Wer Gott bekennt aus wahrem Herzensgrund is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Es ist dir gesagt, Mensch, was gut ist BWV 45: Zweiter Teil: Aria: Wer Gott bekennt aus wahrem Herzensgrund by Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Opera, Johannette Zomer, Sandrine Piau, Sibylla Rubens is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
Oboe Concerto in C Major, RV 452: II. Adagio | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: II. Allemande | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 137 BPM | ||
Frühlingsglaube (Arr. Franz Liszt) | Franz Schubert | A♭ Major | 3 | 4B | 64 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM |
Section: 0.6073589324951172
End: 0.6116337776184082