Masaru Yokoyama's 'Crescent Moon - Mobile Suit Gundam: Iron-Blooded Orphans 2' came out on March 29, 2017. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Masaru Yokoyama's "MOBILE SUIT GUNDAM IRON-BLOODED ORPHANS Original Motion Picture Soundtrack Ⅱ" album is number 1 out of 51. On top of that, Japan appears to be the country where this track was created. Based on our statistics, Crescent Moon - Mobile Suit Gundam: Iron-Blooded Orphans 2's popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Crescent Moon - Mobile Suit Gundam: Iron-Blooded Orphans 2 by Masaru Yokoyama to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Avalon | Koutarou Nakagawa | D Minor | 6 | 7A | 121 BPM | ||
Farewell to KAIBUTSU | 村山☆潤 | G Major | 7 | 9B | 122 BPM | ||
confront battle | 梶浦 由記 | D♭ Minor | 6 | 12A | 160 BPM | ||
BEAST II ~ティアマト戦~ | 芳賀敬太 | B♭ Minor | 9 | 3A | 150 BPM | ||
Fear Brought Me This Far | Evan Call | B Minor | 2 | 10A | 110 BPM | ||
虚式「茈」 | 桶狭間ありさ | F Major | 7 | 7B | 124 BPM | ||
At the End of Sorrow | Masaru Yokoyama | C Minor | 2 | 5A | 80 BPM | ||
Emil (Despair) | Keigo Hoashi, Kakeru Ishihama | B Minor | 8 | 10A | 75 BPM | ||
戦鬼 | Yutaka Yamada | B Major | 6 | 1B | 73 BPM | ||
Defenders of the Wild | Masaru Yokoyama | F Major | 9 | 7B | 80 BPM |
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