"De tous biens plaine est ma maistresse [Chansonnier Cordiforme, Geneva, c. 1475, CORD 19]" by Hayne van Ghizeghem, Ensemble Leones, Marc Lewon was released on October 14, 2016. Since De tous biens plaine est ma maistresse [Chansonnier Cordiforme, Geneva, c. 1475, CORD 19] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Straight from the Heart: The Chansonnier Cordiforme". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. De tous biens plaine est ma maistresse [Chansonnier Cordiforme, Geneva, c. 1475, CORD 19] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With De tous biens plaine est ma maistresse [Chansonnier Cordiforme, Geneva, c. 1475, CORD 19] by Hayne van Ghizeghem, Ensemble Leones, Marc Lewon having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Doni Lute Book: Canario | Giovanni Girolamo Kapsberger, Jakob Lindberg | G Major | 1 | 9B | 76 BPM | ||
Suite in D Minor: VII. La poste | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Passacalle | Andrea Falconieri, Capella De La Torre, Katharina Bauml | D Minor | 1 | 7A | 108 BPM | ||
The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM | ||
In Nomine, "Fantasia": Fantasia | William Mundy, The Rose Consort Of Viols | B Major | 0 | 1B | 115 BPM | ||
Suite in G Major: II. Allemande | Robert de Visée, Yasunori Imamura | C Major | 1 | 8B | 58 BPM | ||
Tres 'Sobre El Canto Ilano De La Alta' | Antonio de Cabezón, Veronique Musson-Gonneaud | F Major | 2 | 7B | 117 BPM | ||
Proch dolor - Pie Jhesu | Josquin des Prez, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 83 BPM | ||
Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
Dolorum solatium, "Planctus David super Saul et Jonatha" | Peter Abelard, Augsburg Early Music Ensemble | G Major | 1 | 9B | 94 BPM |
Section: 0.707467794418335
End: 0.7133955955505371