On January 1, 2007, the song "Suite Of Cotswold Folk Dances (1978): Jockie To The Fair" was released by Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland. With Suite Of Cotswold Folk Dances (1978): Jockie To The Fair being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "The British Light Music Collection 1". In this album, this song's track order is #24. Based on our statistics, Suite Of Cotswold Folk Dances (1978): Jockie To The Fair's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Suite Of Cotswold Folk Dances (1978): Jockie To The Fair by Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Traditional Slavic Christmas Music | Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 79 BPM | ||
Francesca da Rimini, Op. 25, Scene 1: My answer Is plain (Lanceotto) | Sergei Rachmaninoff, Svetla Vassileva, Misha Didyk, Sergey Murzaev, Gennady Bezzubenkov, Evgeny Akimov, BBC Singers, BBC Philharmonic Orchestra, Gianandrea Noseda | G Major | 3 | 9B | 174 BPM | ||
The Long Day Closes: II. An Unquiet Day | Milo Paulus | E Major | 2 | 12B | 107 BPM | ||
Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Three Spanish Dances: Habanera | Philip Lane, Verity Butler, Gavin Sutherland | G Major | 1 | 9B | 146 BPM | ||
Recorder Concertino, Op. 41a (arr. P. Lane): I. Cantilena | Malcolm Arnold, Philip Lane, John Turner, Royal Ballet Sinfonia, Gavin Sutherland | F Major | 1 | 7B | 90 BPM | ||
Romance in E-Flat Major, Op. 11 | Gerald Finzi, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 86 BPM | ||
The Long Day Closes: I. Main Titles | Milo Paulus | E Major | 2 | 12B | 107 BPM | ||
Die tote Stadt / Act 1: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM |
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