Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth's 'Kapitel 82.3 & Kapitel 83.1 - Wie Google tickt - How Google Works' came out on January 8, 2015. The duration of Kapitel 82.3 & Kapitel 83.1 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Kapitel 82.3 & Kapitel 83.1 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #179 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 82.3 & Kapitel 83.1 - Wie Google tickt - How Google Works is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Kapitel 82.3 & Kapitel 83.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 82.3 & Kapitel 83.1 - Wie Google tickt - How Google Works being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
De profundis, LWV 62: De profundis | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | C Major | 2 | 8B | 97 BPM | ||
Kapitel 40.2 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg | B Major | 2 | 1B | 64 BPM | ||
Resitatiivi, Silloin Jeesus Ojensi Kätensä | Joose Vähäsöyrinki, Markku Liukkonen | C Minor | 1 | 5A | 76 BPM | ||
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Handel: Samson, HWV 57, Act 1: "Total eclipse!" (Samson) | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | E Minor | 1 | 9A | 75 BPM | ||
Te Deum, WAB 45: III. Aeterna fac | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus | D Minor | 2 | 7A | 123 BPM | ||
Annelies (chamber version): XI. Passing of time | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | D Minor | 1 | 7A | 63 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM |
Section: 0.8988907337188721
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