"Deux chants d'Ariel: No. 1, Modéré. Venez jusqu'à ces sables d'or" by Arthur Honegger, Carolyn Sampson, Joseph Middleton was released on July 21, 2023. The duration of Deux chants d'Ariel: No. 1, Modéré. Venez jusqu'à ces sables d'or is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Deux chants d'Ariel: No. 1, Modéré. Venez jusqu'à ces sables d'or's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Sounds and Sweet Airs - A Shakespeare Songbook". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Sweden. Deux chants d'Ariel: No. 1, Modéré. Venez jusqu'à ces sables d'or is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Deux chants d'Ariel: No. 1, Modéré. Venez jusqu'à ces sables d'or by Arthur Honegger, Carolyn Sampson, Joseph Middleton having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarabande | Arthur Honegger, Jean-François Antonioli | F Major | 1 | 7B | 108 BPM | ||
Tromsö 2018 IV | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
Fantasia for Cello & Orchestra, W454: I. Largo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Concert Suite from the opera 'The Golden Cockerel': I. Introduction and Dodon's sleep | Bournemouth Symphony Orchestra, Paavo Berglund | D♭ Major | 1 | 3B | 91 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
12 Songs, Op. 21: VII. Zdes' Khorosho (Orchestral Version) | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Major | 0 | 11B | 76 BPM | ||
Stravinsky: Concerto for String Orchestra in D Major: I. Vivace | Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra | D Major | 1 | 10B | 97 BPM |
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