Silvius Leopold Weiss, Michel Cardin made "Sonata No. 1 in F Major, WeissSW 1: III. Courante" available on January 1, 2015. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #3 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Based on our statistics, Sonata No. 1 in F Major, WeissSW 1: III. Courante's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Sonata No. 1 in F Major, WeissSW 1: III. Courante by Silvius Leopold Weiss, Michel Cardin has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sonata No. 1 in F Major, WeissSW 1: III. Courante being at 134 BPM, the half-time would be 67 BPM with a double-time of 268 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute Sonata No. 1: II. Alemanda | Giovanni Zamboni, Luciano Còntini | A♭ Major | 0 | 4B | 125 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 22 Larghetto, n. 23 Allegro, n. 24 Andante | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Mudarra : Glosa sobre un Kyrie postrero | Heringman | C Minor | 0 | 5A | 96 BPM | ||
Sinfonia della Lodovica [ms. 98, Allegro] | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: III. Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Keyboard Sonata in A Major, Kk. 208 (Arr. Abiton for Guitar) - Musical Moments | Domenico Scarlatti, Raphaël Feuillâtre | E♭ Major | 0 | 5B | 81 BPM | ||
Je suis trop jeunette, pour instruments | Raulin De Vaux, Doulce Mémoire | E♭ Minor | 0 | 2A | 90 BPM | ||
Concert No. 8 in G Major "Les goûts réunis": VII. Sarabande. Grave et tendre | François Couperin, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | F Major | 0 | 7B | 129 BPM | ||
Violin Sonata No. 1 in D Minor: II. Presto | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 2 | 12A | 118 BPM | ||
Lute Sonata in E-Flat Major, Op. 1, No. 2: I. Largo | Adam Falckenhagen, Andrew Maginley | G Major | 0 | 9B | 137 BPM |
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