"Il pianto di Maria: "Giunta l'ora fatal" HWV 234: (Recitativo accopmpagnato:) "Ah me infelice!" & Cavatina da capo" by George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 1994. Il pianto di Maria: "Giunta l'ora fatal" HWV 234: (Recitativo accopmpagnato:) "Ah me infelice!" & Cavatina da capo is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel's "Handel: Marian Cantatas And Arias" album is number 15 out of 20. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Il pianto di Maria: "Giunta l'ora fatal" HWV 234: (Recitativo accopmpagnato:) "Ah me infelice!" & Cavatina da capo is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Il pianto di Maria: "Giunta l'ora fatal" HWV 234: (Recitativo accopmpagnato:) "Ah me infelice!" & Cavatina da capo by George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 1 | 12B | 84 BPM | ||
Serse (Xerxes), Hwv 40 (arr. for oboe and orchestra): Act I: Ombra mai fu, "largo" | George Frideric Handel, Jozef Cejka, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 88 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Nisi Dominus aedificaverit domum | Antonio Vivaldi, Lynne McMurtry, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 108 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Concerto grosso in B flat, Op. 3, No. 2: 2. Largo | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM |
Section: 0.6237497329711914
End: 0.6277658939361572