Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut's 'Carmen Ballet Suite (after Bizet): X. Torero and Carmen' came out on October 3, 2016. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Shchedrin: Carmen Suite & Respighi: La Boutique fantasque". In this album, this song's track order is #10. In terms of popularity, Carmen Ballet Suite (after Bizet): X. Torero and Carmen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen Ballet Suite (after Bizet): X. Torero and Carmen by Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Major B. 163 (Op. 88): III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Anton Nanut, RSO Ljubljana | E Minor | 1 | 9A | 93 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: V. Mazurka | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Suite Oriental (Suite Árabe): II. Serenata | Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Major | 0 | 9B | 133 BPM | ||
Carmen Ballet Suite (after Bizet): II. Dance | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | D Major | 4 | 10B | 124 BPM | ||
Horn Concerto No. 4 in E-Flat Major, K. 495: III. Rondo (Allegro Vivace) | Wolfgang Amadeus Mozart, Anton Nanut, Russian Symphony Orchestra Ljubljana, Joze Falout | E♭ Major | 1 | 5B | 132 BPM | ||
Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto | Wolfgang Amadeus Mozart, Dubravka Tomšič, Anton Nanut, RTV Slovenia Symphony Orchestra | C Minor | 3 | 5A | 83 BPM | ||
La Bayadere, Act I, Scene 1: 6. “Flute Solo - Nikiya" | Evergreen Symphony Orchestra, Kevin Galiè, Yo-Ning Hung | C Minor | 0 | 5A | 73 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315, "Summer": I. Allegro | Antonio Vivaldi, Christopher Warren-Green, London Chamber Orchestra | C Minor | 2 | 5A | 80 BPM | ||
La Bayadère / Act 2: No.29 (Andante) | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 68 BPM |
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