- BPM
- 77
- Key
- B♭ Minor
- Camelot
- 3A
Sonatas and Partitas for solo violin BWV 1001-1006, Partita No. 1 in B minor BWV 1002: II. Double - Monica Huggett Information
- Acousticness
- 99%
- Danceability
- 46%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 5%
- Loudness
- 68%
- Speechiness
- 8%
- Valence
- 97%
- Popularity
- 0%
- Loudness
- -19.459 dB
Summary
On March 3, 2003, the song "Sonatas and Partitas for solo violin BWV 1001-1006, Partita No. 1 in B minor BWV 1002: II. Double" was released by Monica Huggett. The duration of Sonatas and Partitas for solo violin BWV 1001-1006, Partita No. 1 in B minor BWV 1002: II. Double is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Sonatas and Partitas for solo violin BWV 1001-1006, Partita No. 1 in B minor BWV 1002: II. Double's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Solo Violin Sonatas & Partitas". In this album, this song's track order is #6. Sonatas and Partitas for solo violin BWV 1001-1006, Partita No. 1 in B minor BWV 1002: II. Double is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Sonatas and Partitas for solo violin BWV 1001-1006, Partita No. 1 in B minor BWV 1002: II. Double BPM
With Sonatas and Partitas for solo violin BWV 1001-1006, Partita No. 1 in B minor BWV 1002: II. Double by Monica Huggett having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Sonatas and Partitas for solo violin BWV 1001-1006, Partita No. 1 in B minor BWV 1002: II. Double Key
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Konzert für zwei Flöten, Streicher und Cembalo, RV 533 | Musici di San Marco, Alberto Lizzio | F♯ Major | 1 | 2B | 115 BPM | |
 | Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | |
 | Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | |
 | Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | |
 | Concerto in C Minor: I. Introduzione - Larghetto | Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia Orchestra | C Minor | 1 | 5A | 126 BPM | |
 | Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | |
 | Sonata in G, BuxWV 271: I. Allegro | Dietrich Buxtehude, La Rêveuse | F♯ Major | 3 | 2B | 83 BPM | |
 | Symphony No.1 in B flat Major: 1. Allegro | William Boyce, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 180 BPM | |
 | The Tempest: Galliard | Matthew Locke, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 2 | 11A | 117 BPM | |
 | Concerto In Do maggiore: Allegro Molto | Modo Antiquo | F♯ Major | 1 | 2B | 123 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7902266979217529
End: 0.7939302921295166