"My Lord, What a Morning (arr. H. T. Burleigh, V. Simonson, L. Lynch and N. Faingold for voice, violin, choir, piano and organ)" by Harry Burleigh, Traditional, Lester Lynch, Victor Simonson, Noam Faingold, Igor Pikayzen, ART Singers, Brian Farrell was released on February 3, 2017. With this song being about 5 minutes long, at 4:46, "My Lord, What a Morning (arr. H. T. Burleigh, V. Simonson, L. Lynch and N. Faingold for voice, violin, choir, piano and organ)" by Harry Burleigh, Traditional, Lester Lynch, Victor Simonson, Noam Faingold, Igor Pikayzen, ART Singers, Brian Farrell is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 25 in the song's album "On My Journey Now: Spirituals & Hymns". In this album, this song's track order is #16. My Lord, What a Morning (arr. H. T. Burleigh, V. Simonson, L. Lynch and N. Faingold for voice, violin, choir, piano and organ) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With My Lord, What a Morning (arr. H. T. Burleigh, V. Simonson, L. Lynch and N. Faingold for voice, violin, choir, piano and organ) by Harry Burleigh, Traditional, Lester Lynch, Victor Simonson, Noam Faingold, Igor Pikayzen, ART Singers, Brian Farrell having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Plantation Melodies, Old & New: I. Negro Lullaby | Harry Burleigh, Matthew J. Detrick, Anabel Ramirez, Whitney Bullock, Matthew Dudzik, Apollo Chamber Players | F Major | 0 | 7B | 82 BPM | ||
Mass In Blue, Op. 28: IV. Sanctus | Will Todd, Bethany Halliday, Jim Fleeman, Gareth Huw, Jeremy Backhouse | B♭ Major | 2 | 6B | 130 BPM | ||
色褪せた饗宴 | HOYO-MiX | C Minor | 8 | 5A | 140 BPM | ||
Ethiopia Saluting the Colors | Harry Burleigh, James Martin, Lynn Raley | D Minor | 1 | 7A | 77 BPM | ||
Learned Poets - Mixed voices | Bob Chilcott, The Oxford Choir | B♭ Major | 2 | 6B | 131 BPM | ||
Jazz Missa Brevis: Sanctus | Will Todd, St Martin's Voices | C Major | 2 | 8B | 95 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
Sancta civitas: I was in the Spirit | Ralph Vaughan Williams, Andrew Staples, Matthew Brook, The Bach Choir, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | F Major | 1 | 7B | 126 BPM | ||
My Aunt Gives Me a Clarinet Lesson | Elizabeth Alexander, Neva Pilgrim, Selma Moore, David Abrams, Cristina Buciu, Greg Wood, Kevin Moore, Jennifer Vacanti, Mark Davis Scatterday | C Major | 0 | 8B | 130 BPM |
Section: 0.5640721321105957
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