Pablo de Sarasate, Si-Qing Lu, Taipei Chinese Orchestra, Yiu-kwong Chung's 'Zigeunerweisen, Op. 20 (Arr. for Violin & Chinese Orchestra)' came out on July 3, 2015. Since Zigeunerweisen, Op. 20 (Arr. for Violin & Chinese Orchestra) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "The Butterfly Lovers". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Zigeunerweisen, Op. 20 (Arr. for Violin & Chinese Orchestra)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Zigeunerweisen, Op. 20 (Arr. for Violin & Chinese Orchestra) by Pablo de Sarasate, Si-Qing Lu, Taipei Chinese Orchestra, Yiu-kwong Chung having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
Suite in 3 Movements, Op. 116: I. Allegretto | Benjamin Godard, Kenneth Smith, Paul Rhodes | B♭ Major | 1 | 6B | 92 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Piano Quartet in E Flat, Op. 47: 3. Andante cantabile | Robert Schumann, Menahem Pressler, Emerson String Quartet | B♭ Major | 0 | 6B | 104 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Légende op. 17 | Henryk Wieniawski, Ray Chen | G Minor | 1 | 6A | 63 BPM | ||
Valse Triste | Oskar Nedbal, Oliver Butterworth, John Bingham | B♭ Major | 0 | 6B | 75 BPM |
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