"The North Star Session: Etoile Polaire (arr. for eight pianos)" by Philip Glass, Arturo Stalteri was released on May 26, 2023. The duration of The North Star Session: Etoile Polaire (arr. for eight pianos) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. The North Star Session: Etoile Polaire (arr. for eight pianos)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Philip Glass: Dodecagon". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, The North Star Session: Etoile Polaire (arr. for eight pianos)'s popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The North Star Session: Etoile Polaire (arr. for eight pianos) by Philip Glass, Arturo Stalteri having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Film Scores: No. 3. Face of Another: Waltz | Toru Takemitsu, Bournemouth Symphony Orchestra, Marin Alsop | A♭ Major | 1 | 4B | 112 BPM | ||
Oblivion (Arr. String Quartet) | Astor Piazzolla, Carducci String Quartet | C Minor | 2 | 5A | 115 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | ||
Myfanwy (Arr. for Solo Cello) | Sheku Kanneh-Mason | G Major | 0 | 9B | 93 BPM | ||
On Reflection | Max Richter | G Major | 1 | 9B | 67 BPM | ||
Dessner: Song for Octave | Bryce Dessner, Bertrand Chamayou | E♭ Major | 1 | 5B | 133 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
Still | Ola Gjeilo | C Major | 0 | 8B | 71 BPM | ||
Adagio For Strings, Op.11 | Samuel Barber, London Symphony Orchestra, Kristjan Järvi | B♭ Minor | 1 | 3A | 77 BPM | ||
Requiem for my Friend: Lacrimosa Day of Tears | Filharmonie Brno | D Minor | 1 | 7A | 124 BPM |
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