Claude Debussy, Concertgebouworkest, Bernard Haitink's 'Images For Orchestra, L. 122 / 2. Ibéria: 3. Le matin d'un jour de fête' came out on January 1, 1986. With this song being about 5 minutes long, at 4:31, "Images For Orchestra, L. 122 / 2. Ibéria: 3. Le matin d'un jour de fête" by Claude Debussy, Concertgebouworkest, Bernard Haitink is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 7 in Debussy: La Mer; Prélude à l'après-midi d'un faune; Ibéria by Claude Debussy, Bernard Haitink, Concertgebouworkest. In terms of popularity, Images For Orchestra, L. 122 / 2. Ibéria: 3. Le matin d'un jour de fête is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Images For Orchestra, L. 122 / 2. Ibéria: 3. Le matin d'un jour de fête by Claude Debussy, Concertgebouworkest, Bernard Haitink is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clair de Lune, L. 32 | Claude Debussy, Martin Jones | D♭ Major | 0 | 3B | 66 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | ||
Debussy: Sonata for Flute, Viola and Harp, CD 145, L. 137: II. Interlude. Tempo di minuetto | Claude Debussy, Markus Klinko, Benoît Fromanger, Pierre Lénert | F♯ Major | 1 | 2B | 68 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
Saint-Saëns / Transcr. Vidal: Le carnaval des animaux: XIII. Le cygne | Camille Saint-Saëns, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris | G Major | 0 | 9B | 82 BPM | ||
Scheherazade: The Tale of the Kalendar Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | B Minor | 1 | 10A | 62 BPM |
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