Raaf Hekkema, Calefax's 'Vom Himmel hoch, da komm ich her (After J.S. Bach's BWV 769): Var. 3, In canone alla settima' came out on October 9, 2020. Vom Himmel hoch, da komm ich her (After J.S. Bach's BWV 769): Var. 3, In canone alla settima is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 13 out of 15 in Bach's Musical Offerings by Raaf Hekkema, Calefax, Arthur Klaassens. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Vom Himmel hoch, da komm ich her (After J.S. Bach's BWV 769): Var. 3, In canone alla settima is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vom Himmel hoch, da komm ich her (After J.S. Bach's BWV 769): Var. 3, In canone alla settima by Raaf Hekkema, Calefax is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Partita I, BWV 1002: III. Corrente | Johann Sebastian Bach, Raaf Hekkema | C Minor | 1 | 5A | 89 BPM | ||
Tambourin | Jean-Philippe Rameau, Víkingur Ólafsson | E Minor | 3 | 9A | 148 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562: I. Poco adagio | Carl Philipp Emanuel Bach, Emmanuel Pahud | C Major | 0 | 8B | 87 BPM | ||
Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
Partita I, BWV 1002: IV. Double-Presto | Johann Sebastian Bach, Raaf Hekkema | C Minor | 1 | 5A | 89 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM |
Section: 0.5351898670196533
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