Constance Hauman, Ross Pederson's 'The Magic Flute, K. 620: Queen of The Night - Berlin Remix' came out on 2022. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 4 in the song's album "Queen of The Night". In this album, this song's track order is #3. Based on our statistics, The Magic Flute, K. 620: Queen of The Night - Berlin Remix's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The Magic Flute, K. 620: Queen of The Night - Berlin Remix by Constance Hauman, Ross Pederson having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The Eternal Road: Act II, Moses, Scene 22: Moses addresses the people | Kurt Weill, Sigurd Brauns, Ted Christopher, Ian DeNolfo, Karl Dent, Constance Hauman, James Maddalena, Barbara Rearick, Vale Rideout, Manfred Roost, Hanna Wollschlager, Ernst Senff Choir, Rundfunk-Kinderchor Berlin, Berlin Radio Symphony Orchestra, Gerard Schwarz | B♭ Minor | 3 | 3A | 82 BPM | ||
Deep In | Kentavian Matthews | E♭ Minor | 6 | 2A | 141 BPM | ||
funk latin jazz | Nikproteus | A♭ Major | 5 | 4B | 100 BPM | ||
What A Crazy World | MonkeyRat | G Major | 8 | 9B | 128 BPM | ||
The Eternal Road: Act IV, The Prophets, Scene 40: After the Destruction of Temple | Kurt Weill, Sigurd Brauns, Ted Christopher, Ian DeNolfo, Karl Dent, Constance Hauman, James Maddalena, Barbara Rearick, Vale Rideout, Manfred Roost, Hanna Wollschlager, Ernst Senff Choir, Rundfunk-Kinderchor Berlin, Berlin Radio Symphony Orchestra, Gerard Schwarz | C Major | 1 | 8B | 96 BPM | ||
Monkey | Sound Atlantis, Kill The Sirens, Jack G. Wilson, Turgut Alp Bekoğlu | C Major | 8 | 8B | 112 BPM | ||
A Huevo | F-MACK | C Major | 4 | 8B | 125 BPM | ||
Avodat Shabbat: Tov L'hodot (Psalm 92) | Herman Berlinski, Robert Brubaker, Constance Hauman, Elizabeth Shammash, Ernst Senff Choir, Berlin Radio Symphony Orchestra, Gerard Schwarz | E♭ Minor | 2 | 2A | 134 BPM | ||
That Took It Out of Me | Constance Hauman | A Minor | 5 | 8A | 129 BPM | ||
Stir the Pot | Bob's Burgers, Loren Bouchard, Angelica Cox, Emily Goldstein | B Major | 10 | 1B | 106 BPM |
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