Richard Lewis made "Breakbeat Hustle" available on November 1, 2004. With Breakbeat Hustle being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Livewire" album is number 1 out of 65. Based on our statistics, Breakbeat Hustle's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Breakbeat Hustle by Richard Lewis to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Elgar: The Dream of Gerontius, Op. 38, Pt. 1: "Sanctus fortis, Sanctus Deus" (Gerontius) | Edward Elgar, Richard Lewis, Kim Borg, Eric Chadwick, John McCarthy, Martin Milner, Sir John Barbirolli, Dame Janet Baker, Hallé | G Minor | 1 | 6A | 139 BPM | ||
Elgar: The Dream of Gerontius, Op. 38, Pt. 2: "There Was a Mortal" - "Praise to the Holiest" (Angel, Chorus, Soul) | Edward Elgar, Richard Lewis, Kim Borg, Eric Chadwick, John McCarthy, Martin Milner, Sir John Barbirolli, Dame Janet Baker, Halle Choir, Ambrosian Singers, Sheffield Philharmonic Chorus, Hallé | A♭ Major | 1 | 4B | 80 BPM | ||
Wagner: Lohengrin, Act 3: "Treulich geführt ziehet dahin" (Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | C Minor | 2 | 5A | 119 BPM | ||
Messa di Gloria: IX. Cum Sancto Spiritu | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Major | 2 | 8B | 122 BPM | ||
Maan virsi (Hymn to the Earth), Op. 95 | Jean Sibelius, Finnish National Opera Chorus, Finnish National Opera Orchestra, Eri Klas | C Major | 1 | 8B | 73 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Duetto. "Viens souper avec nous" (Gaillardin, Duparquet) | Johann Strauss II, Franck Pourcel, Jean Christophe Benoit, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (b) "Ah! Paresseuse fille qui sommeille encor!" (Choeur, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Gotta Be Free | Thomas Arthur Swindells, Richard Lewis (Gb 3) | D Major | 8 | 10B | 79 BPM | ||
Spontini: La Vestale, Act III: "Qu’ai-je vu! Quels apprêts" (Licinius) | Gaspare Spontini, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | E♭ Major | 3 | 5B | 150 BPM | ||
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: Such was Hiawatha’s wedding | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent | B♭ Minor | 2 | 3A | 63 BPM |
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