- BPM
- 83
- Key
- G Major
- Camelot
- 9B
Goldberg Variations, BWV 988: Var. 30 - Quodlibet a 1 Clav. - Johann Sebastian Bach, Igor Levit Information
- Acousticness
- 100%
- Danceability
- 46%
- Energy
- 19%
- Instrumentalness
- 91%
- Liveness
- 10%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 77%
- Popularity
- 18%
- Loudness
- -20.828 dB
Summary
Johann Sebastian Bach, Igor Levit made "Goldberg Variations, BWV 988: Var. 30 - Quodlibet a 1 Clav." available on November 4, 2016. With Goldberg Variations, BWV 988: Var. 30 - Quodlibet a 1 Clav. being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Igor Levit's "Goldberg Variations - The Goldberg Variations, BWV 988" album is number 31 out of 32. Goldberg Variations, BWV 988: Var. 30 - Quodlibet a 1 Clav. is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Goldberg Variations, BWV 988: Var. 30 - Quodlibet a 1 Clav. BPM
We consider the tempo marking of Goldberg Variations, BWV 988: Var. 30 - Quodlibet a 1 Clav. by Johann Sebastian Bach, Igor Levit to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Goldberg Variations, BWV 988: Var. 30 - Quodlibet a 1 Clav. Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prelude and Fugue No. 19 in A Major, BWV 864: Fugue | Johann Sebastian Bach, Glenn Gould | A Major | 4 | 11B | 104 BPM | |
 | Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | Dâ™ Major | 1 | 3B | 118 BPM | |
 | Concerto Grosso in G Minor, Op. 1, No. 12: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 3 | 7B | 128 BPM | |
 | Concerto for Oboe and Bassoon in G Major, RV 545: II. Largo | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | D Major | 0 | 10B | 83 BPM | |
| The Well-Tempered Clavier, Book 2: Prelude No. 9 in E Major, BWV 878 | Johann Sebastian Bach, Glenn Gould | A Major | 3 | 11B | 106 BPM | |
 | Keyboard Sonata No. 61 in D Major, Hob. XVI:51: I. Andante | Franz Joseph Haydn, Glenn Gould | D Major | 1 | 10B | 64 BPM | |
 | Keyboard Suite No. 5 in E Major, HWV 430: IV. Air and Doubles ("Harmonious Blacksmith") | George Frideric Handel, Philip Edward Fisher | E Major | 1 | 12B | 126 BPM | |
 | Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | |
 | Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Concerto for Strings and Continuo in G Major, RV. 151 "Concerto alla Rustica": III. Allegro | Antonio Vivaldi, The English Concert, Trevor Pinnock | C Minor | 5 | 5A | 115 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6288461685180664
End: 0.6341738700866699