Paul Ladmirault, Ensemble Vocal de Lausanne, Michel Corboz's 'Quelques vieux Cantiques Bretons: I. Esprits heureux du Paradis' came out on March 4, 2016. The duration of Quelques vieux Cantiques Bretons: I. Esprits heureux du Paradis is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Quelques vieux Cantiques Bretons: I. Esprits heureux du Paradis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Schola Aeterna - Chants à la vierge". In this album, this song's track order is #6. Based on our statistics, Quelques vieux Cantiques Bretons: I. Esprits heureux du Paradis's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Quelques vieux Cantiques Bretons: I. Esprits heureux du Paradis by Paul Ladmirault, Ensemble Vocal de Lausanne, Michel Corboz having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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St. Matthew Passion, BWV 244: No. 18. Recitative: Wiewohl mein Herz in Tranen schwimmt (Soprano) | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | C Major | 1 | 8B | 61 BPM | ||
Four Greek Songs: III. Andante piacevole | Charles Camilleri, David Campbell, Zoë Martlew, Julian Jacobson | B Minor | 0 | 10A | 95 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A♭ Major | 2 | 4B | 79 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM | ||
A Child of our Time, Part III: I would know my shadow and my light (Soloists, Chorus) | Michael Tippett, Pumeza Matshikiza, Sarah Connolly, Joshua Stewart, Ashley Riches, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Tchaikovsky / Arr. Nakariakov: Andante cantabile for Flugelhorn and Orchestra (After String Quartet No. 1, Op. 11) | Pyotr Ilyich Tchaikovsky, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra | F Major | 8 | 7B | 140 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A Major | 1 | 11B | 140 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): VII. Benedictus | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 11, "Nein, es ist nicht auszukommen" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | C Minor | 3 | 5A | 155 BPM | ||
Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Kyrie | César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp | A Major | 0 | 11B | 65 BPM |
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