Lewis Ruth Band, Theo Mackeben made "Moritat von Mackie Messer (Aus "Die Dreigroschenoper")" available on June 30, 1988. The duration of Moritat von Mackie Messer (Aus "Die Dreigroschenoper") is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Moritat von Mackie Messer (Aus "Die Dreigroschenoper")'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 102 in Entartete Musik - Eine Tondokumentation zur Düsseldorfer Ausstellung von 1938 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Moritat von Mackie Messer (Aus "Die Dreigroschenoper") is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Moritat von Mackie Messer (Aus "Die Dreigroschenoper") by Lewis Ruth Band, Theo Mackeben is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ach, das könnte schön sein | Wolfgang Neuss, Wolfgang Müller | C Major | 5 | 8B | 113 BPM | ||
Die Julischka Aus Budapest | Aniko Benkö | B Minor | 5 | 10A | 136 BPM | ||
Das Loreleylied (Ich weiß nicht was soll es bedeuten) | Johannes Kalpers | D♭ Major | 5 | 3B | 121 BPM | ||
Toselli-Serenade | Günter Kallmann Chor | C Major | 3 | 8B | 75 BPM | ||
Wien, Wien Nur Du Allein | Paul Hörbiger, Hans Moser | D Major | 3 | 10B | 77 BPM | ||
Nur nicht aus Liebe weinen | Zarah Leander | B♭ Major | 2 | 6B | 101 BPM | ||
Das Lied ist aus (The Song is Over) (text by W. Reisch): Frag nicht, warum ich gehe | Robert Stolz, Laine Haid, Marcel Wittrisch, Lewis Ruth Band | B♭ Major | 1 | 6B | 78 BPM | ||
Weil Ich Wusste, Dass Du Zurückkommen Würdest | Hermosa Boyle | C Major | 3 | 8B | 182 BPM | ||
Die Dreigroschenoper (The Threepenny Opera): Prelude: Die Moritat von Mackie Messer (Street Singer) | Kurt Weill, Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke, Kurt Gerron, Erich Ponto, Lewis Ruth Band, Theo Mackeben | A Minor | 1 | 8A | 133 BPM | ||
Was kann der Sigismund dafür dass er so schön ist | Marek Weber Tanzorchester | B♭ Major | 6 | 6B | 127 BPM |
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