"Sonatina No. 3, BV 268 "ad usum infantis Madeline M* Americanae": V. Polonaise. Un poco cerimonioso" by Ferruccio Busoni, Marc-André Hamelin was released on November 3, 2013. The duration of Sonatina No. 3, BV 268 "ad usum infantis Madeline M* Americanae": V. Polonaise. Un poco cerimonioso is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Sonatina No. 3, BV 268 "ad usum infantis Madeline M* Americanae": V. Polonaise. Un poco cerimonioso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 49 in Busoni: Late Piano Music by Ferruccio Busoni, Marc-André Hamelin. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Sonatina No. 3, BV 268 "ad usum infantis Madeline M* Americanae": V. Polonaise. Un poco cerimonioso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonatina No. 3, BV 268 "ad usum infantis Madeline M* Americanae": V. Polonaise. Un poco cerimonioso by Ferruccio Busoni, Marc-André Hamelin is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Fairy Tales (Skazki), Op.26: No.3 In F Minor | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Sonatina in C Major, Op. 36 No. 1: III. Vivace | Muzio Clementi, Howard Shelley | C Major | 1 | 8B | 149 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Prelude, Op.37, 11 | Eva Klarbach, Ferruccio Busoni | B♭ Major | 2 | 6B | 107 BPM | ||
Prelude, Op.37, 16 | Eva Klarbach, Ferruccio Busoni | E Major | 3 | 12B | 148 BPM | ||
Elegies, BV 249: II. All'Italia! In modo napolitano | Ferruccio Busoni, Marc-André Hamelin | E♭ Major | 0 | 5B | 73 BPM | ||
Lyric Pieces, Op. 38: VIII. Kanon - Allegretto con moto | Edvard Grieg, Javier Perianes | E♭ Minor | 0 | 2A | 82 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM |
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