Come Rain Or Come Shine (Take 4)
Bill Evans, Scott LaFaro, Paul Motian
Portrait In Jazz [Keepnews Collection]
3:23 1960
BPM
87
Key
D Minor
Camelot
7A

Embed

Share Link

Come Rain Or Come Shine (Take 4) - Bill Evans, Scott LaFaro, Paul Motian Information

Acousticness
96%
Danceability
49%
Energy
15%
Instrumentalness
93%
Liveness
11%
Loudness
69%
Speechiness
3%
Valence
16%
Popularity
Loudness
-18.599 dB

Summary

"Come Rain Or Come Shine (Take 4)" by Bill Evans, Scott LaFaro, Paul Motian was released on 1960. The duration of Come Rain Or Come Shine (Take 4) is about 3 minutes long, at 3:23. Based on our data, "Come Rain Or Come Shine (Take 4)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Portrait In Jazz [Keepnews Collection]". In this album, this song's track order is #10. Come Rain Or Come Shine (Take 4) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Come Rain Or Come Shine (Take 4) BPM

With Come Rain Or Come Shine (Take 4) by Bill Evans, Scott LaFaro, Paul Motian having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Come Rain Or Come Shine (Take 4) Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Satin Doll - Bonus Track by Wes Montgomery TrioSatin Doll - Bonus TrackWes Montgomery TrioC Major28B68 BPM
I Wish I Knew by Blue MitchellI Wish I KnewBlue MitchellG Major39B107 BPM
I'm Getting Sentimental Over You by Bill EvansI'm Getting Sentimental Over YouBill EvansG Major39B91 BPM
Carpetbagger's Theme by Stan Getz, Bill EvansCarpetbagger's ThemeStan Getz, Bill EvansC Minor35A102 BPM
The Way You Look Tonight by Bob Brookmeyer, Bill EvansThe Way You Look TonightBob Brookmeyer, Bill EvansB♭ Major36B134 BPM
Numbers Game - Instrumental by Hampton Hawes, Harold Land, Scott LaFaro, Frank ButlerNumbers Game - InstrumentalHampton Hawes, Harold Land, Scott LaFaro, Frank ButlerD♭ Major33B118 BPM
The Last Goodbye by Nicholas PaytonThe Last GoodbyeNicholas PaytonD Major210B160 BPM
Blue Haze by Miles Davis QuartetBlue HazeMiles Davis QuartetC Minor25A72 BPM
Scrapple From The Apple by Blue MitchellScrapple From The AppleBlue MitchellD Major410B129 BPM
Rhythm-A-Ning by The Jazz MessengersRhythm-A-NingThe Jazz MessengersD♭ Major33B196 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.43119168281555176

End: 0.436737060546875