Benjamin Britten, Stephen Hough, Ronan O'Hora made "Britten: 2 Lullabies for Two Pianos: No. 2, Lullaby for a Retired Colonel" available on January 1, 1991. The duration of Britten: 2 Lullabies for Two Pianos: No. 2, Lullaby for a Retired Colonel is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Britten: 2 Lullabies for Two Pianos: No. 2, Lullaby for a Retired Colonel's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 21 in Britten: Holiday Diary, Op. 5 & Other Pieces for One and Two Pianos by Benjamin Britten, Stephen Hough. Based on our statistics, Britten: 2 Lullabies for Two Pianos: No. 2, Lullaby for a Retired Colonel's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Britten: 2 Lullabies for Two Pianos: No. 2, Lullaby for a Retired Colonel by Benjamin Britten, Stephen Hough, Ronan O'Hora is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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5 Bagatelles for clarinet and piano, Op.23: 4. Forlana - Allegretto grazioso | Gerald Finzi, Emma Johnson, Malcolm Martineau | F♯ Major | 0 | 2B | 185 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Slovak Suite, Op. 32: III. The Lovers. Andante quasi allegretto | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | E♭ Major | 0 | 5B | 76 BPM | ||
Peter Grimes, Op. 33 / Act 1: "Past Time To Close!" | Benjamin Britten, Jean Watson, Lauris Elms, James Pease, Raymond Nilsson, Marion Studholme, Iris Kells, Orchestra of the Royal Opera House, Covent Garden | A♭ Major | 2 | 4B | 72 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Capriol Suite: 6. Mattachins (Sword Dance) | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | F Major | 3 | 7B | 82 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM |
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