"Four Movements for Two Pianos: III. —" by Philip Glass, Katia & Marielle Labèque was released on April 5, 2020. Since Four Movements for Two Pianos: III. — is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Work From Home With Minimalism by Philip Glass, Michael Nyman, Steve Reich. The song's track number on the album is #45 out of 107 tracks. Based on our statistics, Four Movements for Two Pianos: III. —'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Four Movements for Two Pianos: III. — by Philip Glass, Katia & Marielle Labèque has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Four Movements for Two Pianos: III. — being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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2 Arabesques, L. 66: No. 1, Andante con moto | Claude Debussy, Claude Helffer | E Major | 0 | 12B | 136 BPM | ||
Etude No.6 | Philip Glass, Feico Deutekom | A Minor | 1 | 8A | 60 BPM | ||
Section 17 | Kees Wieringa, Arielle Vernède, Gerard Bouwhuis, Lotte Bovi, Mondrian Quartet, Polo de Haas, Simeon ten Holt | B♭ Minor | 1 | 3A | 149 BPM | ||
Música callada, Book 1: No. 1, Angelico | Federico Mompou, Lilit Grigoryan | A Minor | 0 | 8A | 67 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Shadow 5 | Max Richter | D♭ Major | 5 | 3B | 67 BPM | ||
Pièces pour clavecin, Book 4: La Pothouïn | François Couperin, Alexandre Tharaud | C Minor | 1 | 5A | 65 BPM | ||
The Hours: Escape! (From "The Hours") | Philip Glass, Nicolas Horvath | E♭ Minor | 2 | 2A | 132 BPM | ||
Shaker Loops (version for string orchestra): A Final Shaking | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 78 BPM | ||
Variation 3 | Arvo Pärt, Ralph van Raat | A Minor | 0 | 8A | 83 BPM | ||
Élégie, L. 138 | Claude Debussy, Alexei Lubimov | A Minor | 0 | 8A | 73 BPM |
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