"Études, L. 136: I. Pour les Arpeges Composes" by Claude Debussy, Martin Jones was released on 1994. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 19 out of 20 in Debussy: Clair De Lune and Other Piano Favourites by Claude Debussy, Martin Jones. Based on our statistics, Études, L. 136: I. Pour les Arpeges Composes's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Études, L. 136: I. Pour les Arpeges Composes by Claude Debussy, Martin Jones is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Four Hands, FP 8: I. Prelude | Francis Poulenc, Lucille Chung, Alessio Bax | C Minor | 1 | 5A | 83 BPM | ||
Ma mère l'oye, M. 60: 2. Petit Poucet | Valeria Szervánszky, Ronald Cavaye | E♭ Major | 0 | 5B | 68 BPM | ||
12 Etudes, L.136: 11. Pour les Arpèges composés | Claude Debussy, Mitsuko Uchida | D♭ Major | 0 | 3B | 73 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Elegy No. 1 in D Major | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | D Major | 0 | 10B | 61 BPM | ||
6 Klavierstücke, Op. 118: No. 2. Intermezzo in A Major: Andante teneramente | Johannes Brahms, Luba Edlina | A Major | 0 | 11B | 68 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
10 Préludes, Op. 23: No. 4. Andante cantabile in D Major | Sergei Rachmaninoff, Nikolai Lugansky | A Major | 1 | 11B | 172 BPM |
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