Chapter 8 - Into the Pit - Five Nights at Freddys Fazbear Frights, Book 1
Scott Cawthon, Elley Cooper, Suzanne Freeman
Into the Pit [Five Nights at Freddys Fazbear Frights, Book 1 (Unabridged)]
3:07 December 26, 2019
BPM
77
Key
B♭ Minor
Camelot
3A

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Chapter 8 - Into the Pit - Five Nights at Freddys Fazbear Frights, Book 1 - Scott Cawthon, Elley Cooper, Suzanne Freeman Information

Acousticness
93%
Danceability
74%
Energy
11%
Instrumentalness
0%
Liveness
14%
Loudness
71%
Speechiness
95%
Valence
29%
Popularity
Loudness
-17.454 dB

Summary

Scott Cawthon, Elley Cooper, Suzanne Freeman's 'Chapter 8 - Into the Pit - Five Nights at Freddys Fazbear Frights, Book 1' had a release date set for December 26, 2019. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Scott Cawthon, Elley Cooper's "Into the Pit [Five Nights at Freddys Fazbear Frights, Book 1 (Unabridged)]" album is number 8 out of 93. On top of that, Germany appears to be the country where this track was created. Chapter 8 - Into the Pit - Five Nights at Freddys Fazbear Frights, Book 1 is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

Chapter 8 - Into the Pit - Five Nights at Freddys Fazbear Frights, Book 1 BPM

We consider the tempo marking of Chapter 8 - Into the Pit - Five Nights at Freddys Fazbear Frights, Book 1 by Scott Cawthon, Elley Cooper, Suzanne Freeman to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Chapter 8 - Into the Pit - Five Nights at Freddys Fazbear Frights, Book 1 Key

This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

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ISRC
DEXN92100563
Label
L-M Records/RCA Records