"After Mittal" by Stephen Rennicks was released on October 16, 2015. With After Mittal being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 21 in the song's album "Room (Original Motion Picture Soundtrack)". In this album, this song's track order is #15. After Mittal is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With After Mittal by Stephen Rennicks having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Garden | Doug Kaufman | F♯ Major | 2 | 2B | 80 BPM | ||
Young Love | Alexandre Desplat | D Minor | 2 | 7A | 102 BPM | ||
The Armstrongs | Justin Hurwitz | G Minor | 2 | 6A | 120 BPM | ||
The Streets of Belgrade | Infinity Ripple | E Minor | 1 | 9A | 70 BPM | ||
Morning Talk / Supersymmetry | Arcade Fire, Owen Pallett | A♭ Major | 2 | 4B | 70 BPM | ||
Beyond | Mattia Vlad Morleo | B Minor | 1 | 10A | 67 BPM | ||
Armstrong Cabin | Justin Hurwitz | G Minor | 2 | 6A | 116 BPM | ||
Bliss (Main Theme) - From "Close" Original Motion Picture Soundtrack | Valentin Hadjadj | F Minor | 0 | 4A | 180 BPM | ||
Polaris III | Peter Sandberg | E Minor | 1 | 9A | 91 BPM | ||
The Green Light (The Great Gatsby) - Piano Version | Je Suis Parte | A Minor | 4 | 8A | 140 BPM |
Section: 0.7245876789093018
End: 0.7277190685272217