"Otello / Act 1: "Vanne! la tua meta già vedo" - "Credo in un Dio cru- del"" by Giuseppe Verdi, Bryn Terfel, Swedish Radio Symphony Orchestra, Paul Daniel was released on January 1, 2009. With this song being about 5 minutes long, at 4:42, "Otello / Act 1: "Vanne! la tua meta già vedo" - "Credo in un Dio cru- del"" by Giuseppe Verdi, Bryn Terfel, Swedish Radio Symphony Orchestra, Paul Daniel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 16 in Bad Boys by Bryn Terfel. Otello / Act 1: "Vanne! la tua meta già vedo" - "Credo in un Dio cru- del" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Otello / Act 1: "Vanne! la tua meta già vedo" - "Credo in un Dio cru- del" by Giuseppe Verdi, Bryn Terfel, Swedish Radio Symphony Orchestra, Paul Daniel is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa da Requiem: V. Agnus Dei | Giuseppe Verdi, Mirella Freni, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 172 BPM | ||
Norma / Act 1: Sgombra è la sacra | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 0 | 6B | 137 BPM | ||
Adriana Lecouvreur / Act 2: L'anima ho stanca | Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B Minor | 2 | 10A | 175 BPM | ||
Die lustige Witwe: Overture | Franz Lehár, Bryn Terfel, Barbara Bonney, Karl Magnus Fredriksson, Uwe Peper, Constanze Backes, Heinz Zednik, The Monteverdi Choir, Lynette Alcantara, Philip Salmon, Angela Kazimierczuk, Rainer Trost, Wiener Philharmoniker, John Eliot Gardiner | G Major | 3 | 9B | 85 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: Introduction: "As God the Lord of Israel liveth" | Felix Mendelssohn, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Minor | 2 | 6A | 86 BPM | ||
Rigoletto / Act 2: "Parmi veder le lagrime" | Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | F♯ Major | 1 | 2B | 166 BPM | ||
La Favorita / Act 4: Spirto gentil, de' sogni miei | Gaetano Donizetti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | C Major | 2 | 8B | 66 BPM | ||
Don Pasquale: Cercherò lontana terra | Gaetano Donizetti, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | F Minor | 1 | 4A | 168 BPM | ||
Verdi: Aida, Act 2: "O Re, pei sacri numi" (Radamès, Il Re, Amneris, Sacerdoti, Popolo, Ramfis) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | F♯ Major | 2 | 2B | 87 BPM | ||
La forza del destino, Act II, Scene II: Madre, pietosa Vergine | Giuseppe Verdi, Dinara Alieva, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | D♭ Major | 3 | 3B | 76 BPM |
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