Jean-Baptiste Breval, Yuriy Leonovich's ' "Sonata in C Major, Op. 40, No. 1: I. Allegro" was released on its scheduled release date, July 20, 2020. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 17 in Classical Sonatas for Two Cellos, Vol. 1 by Jean-Baptiste Breval, Yuriy Leonovich. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Sonata in C Major, Op. 40, No. 1: I. Allegro is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Sonata in C Major, Op. 40, No. 1: I. Allegro by Jean-Baptiste Breval, Yuriy Leonovich is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Perpetuo Mobile From Little Suite, No. 6 | Gregory Harrington | D Major | 4 | 10B | 162 BPM | ||
String Quartet No. 4 in C Minor, Op. 18, No. 4: I. Allegro ma non tanto | Ludwig van Beethoven, Kodály Quartet | A♭ Major | 1 | 4B | 145 BPM | ||
Tambourin Chinois, Op. 3 | Fritz Kreisler, Christian Li, Timothy Young | F Major | 3 | 7B | 161 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Inquietude, Op. 100, No. 18 | Franz Burgmüller | A Minor | 3 | 8A | 115 BPM | ||
Dvorak: Humoresque | Antonin Dvorák, Mischa Elman, Joseph Seiger | G Major | 1 | 9B | 82 BPM | ||
Sonata in G Minor: III. Adagio | Henry Eccles, Amit Peled, Eliza Ching | G Minor | 0 | 6A | 84 BPM | ||
Siren Sounds Waltz: IV. Waltz No. 3 | Alma Deutscher | B♭ Major | 0 | 6B | 75 BPM | ||
Violin Concerto No. 5 in D Major, Op. 22: I. Allegro moderato | Friedrich Seitz, Hyejin Chung, Warren Lee | A Major | 1 | 11B | 122 BPM | ||
18 Études, Op. 109: No. 8, Agitato | Franz Burgmüller, Carl Petersson | E Minor | 2 | 9A | 101 BPM |