On 1964, the song "Cello Suite No. 1 in G Major, BWV 1007: I. Prélude (Transcribed for Guitar by John Williams)" was released by Johann Sebastian Bach, John C. Williams. The duration of Cello Suite No. 1 in G Major, BWV 1007: I. Prélude (Transcribed for Guitar by John Williams) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude (Transcribed for Guitar by John Williams)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, John Williams's "John Williams Plays Bach" album is number 12 out of 57. On top of that, United States appears to be the country where this track was created. In terms of popularity, Cello Suite No. 1 in G Major, BWV 1007: I. Prélude (Transcribed for Guitar by John Williams) is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Cello Suite No. 1 in G Major, BWV 1007: I. Prélude (Transcribed for Guitar by John Williams) by Johann Sebastian Bach, John C. Williams to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 124 BPM | ||
Jaranera | Federico Moreno Torroba, Ana Vidovic | A Major | 1 | 11B | 110 BPM | ||
Concierto de Aranjuez: III. Allegro gentile | Joaquín Rodrigo, John Williams, Louis Frémaux, Philharmonia Orchestra | D Major | 2 | 10B | 155 BPM | ||
Vingt-Sixiéme Ordre - L'Epineuse | François Couperin, David Russell | A Minor | 1 | 8A | 75 BPM | ||
Gymnopédie No. 1 (Arr. for Guitar) | Erik Satie, Sebastien Llinares | G Major | 0 | 9B | 77 BPM | ||
1. Evocación - José Luis Merlin | Miloš Karadaglić | E Minor | 1 | 9A | 128 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Trio in D Major for Violin, Cello and Guitar: II. Minuetto and Trio - Allegro vivace | Niccolò Paganini, John Williams, Alan Loveday, Amaryllis Fleming | D Major | 2 | 10B | 107 BPM |
Section: 0.6653409004211426
End: 0.6729726791381836