A. Pertile, B. Franci made "Guglielmo Tell, A. Pertile,B. Franci: Act I-" Ah Matilde Io t'amo"" available on November 30, 2010. With this song being about 5 minutes long, at 4:47, "Guglielmo Tell, A. Pertile,B. Franci: Act I-" Ah Matilde Io t'amo"" by A. Pertile, B. Franci is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 40 in the song's album "Opera for ever new additions". In this album, this song's track order is #28. Based on our statistics, Guglielmo Tell, A. Pertile,B. Franci: Act I-" Ah Matilde Io t'amo"'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Guglielmo Tell, A. Pertile,B. Franci: Act I-" Ah Matilde Io t'amo" by A. Pertile, B. Franci having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arrivederci Roma | Renato Rascel, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Major | 1 | 6B | 85 BPM | ||
Grieg: Peer Gynt (Incidental Music), Op. 23, Act 4: No. 17, Arabian Dance | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 2 | 8A | 129 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Golondrina de Madrid: "¡Otra Vez Juntos!¡Éste Me Sigue!" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
Because | Hans Nyström | C Major | 7 | 8B | 84 BPM | ||
Í dag skein sól | Stefán Islandi | G Major | 4 | 9B | 185 BPM | ||
Himno Nacional Uruguayo | F. Acuña de Figueroa, J. Debali, Orquesta Sinfónica del Sodre, Coro del Sodre, Maestro Roberto Montenegro | A Minor | 5 | 8A | 101 BPM | ||
Srdce v rákosí: "Hvězdy se líbají" | Jaroslav Jankovec, Dagmar Peckova, Zdeněk Matouš, Dvořák Chamber Orchestra, Miroslav Homolka | G Major | 1 | 9B | 66 BPM | ||
La Verbena de la Paloma: Escena - Habanera - Seguidillas - Final | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Renato Cesari, Teresa Tourné | E♭ Major | 4 | 5B | 87 BPM | ||
La Gioconda, Act II, Scene 4: Cielo e mar! | Amilcare Ponchielli, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM |
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