Why Picton?
Academy of St. Martin in the Fields, Gabriel Yared
The English Patient (Original Soundtrack Recording)
1:09 November 7, 1996
BPM
79
Key
E Minor
Camelot
9A

Embed

Share Link

Why Picton? - Academy of St. Martin in the Fields, Gabriel Yared Information

Acousticness
98%
Danceability
20%
Energy
5%
Instrumentalness
90%
Liveness
27%
Loudness
66%
Speechiness
4%
Valence
4%
Popularity
Loudness
-20.644 dB

Summary

"Why Picton?" by Academy of St. Martin in the Fields, Gabriel Yared was released on November 7, 1996. With Why Picton? being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "The English Patient (Original Soundtrack Recording)". In this album, this song's track order is #5. Why Picton? is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Why Picton? BPM

With Why Picton? by Academy of St. Martin in the Fields, Gabriel Yared having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Why Picton? Key

E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Irene's Song (from Irene's Song (from "Forsyte Saga")Geoffrey Burgon, Dave LoewE Minor29A160 BPM
Heavenly Voice II (Alternative Version) by Joshua BellHeavenly Voice II (Alternative Version)Joshua BellE♭ Major05B81 BPM
Getting Used to It by Rael Jones, Anthony WeedenGetting Used to ItRael Jones, Anthony WeedenA Minor08A130 BPM
Syncopes by Harry RabinowitzSyncopesHarry RabinowitzD Minor17A48 BPM
Symphony No. 25 in G minor, K.183: 1. Allegro con brio by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville MarrinerSymphony No. 25 in G minor, K.183: 1. Allegro con brioWolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor26A80 BPM
Swoon, I'll Catch You by Academy of St. Martin in the Fields, Gabriel YaredSwoon, I'll Catch YouAcademy of St. Martin in the Fields, Gabriel YaredC Minor25A82 BPM
The Handsome Mr. Barber by John Lunn, The Chamber Orchestra Of LondonThe Handsome Mr. BarberJohn Lunn, The Chamber Orchestra Of LondonA Minor28A83 BPM
Serenade No. 9 KV320 in DMajor Serenade No. 9 KV320 in DMajor "Posthorn": MenuettoAcademy of St. Martin in the Fields, Iona BrownA Major011B137 BPM
Around The World In 80 Days - Overture by Victor YoungAround The World In 80 Days - OvertureVictor YoungE♭ Major25B126 BPM
Preying Penniless Woman - Instrumental by Patrick Doyle, Robert Ziegler, Tony HymasPreying Penniless Woman - InstrumentalPatrick Doyle, Robert Ziegler, Tony HymasC Minor15A87 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6373803615570068

End: 0.6422386169433594