"Why Picton?" by Academy of St. Martin in the Fields, Gabriel Yared was released on November 7, 1996. With Why Picton? being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "The English Patient (Original Soundtrack Recording)". In this album, this song's track order is #5. Why Picton? is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Why Picton? by Academy of St. Martin in the Fields, Gabriel Yared having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Irene's Song (from "Forsyte Saga") | Geoffrey Burgon, Dave Loew | E Minor | 2 | 9A | 160 BPM | ||
Heavenly Voice II (Alternative Version) | Joshua Bell | E♭ Major | 0 | 5B | 81 BPM | ||
Getting Used to It | Rael Jones, Anthony Weeden | A Minor | 0 | 8A | 130 BPM | ||
Syncopes | Harry Rabinowitz | D Minor | 1 | 7A | 48 BPM | ||
Symphony No. 25 in G minor, K.183: 1. Allegro con brio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 2 | 6A | 80 BPM | ||
Swoon, I'll Catch You | Academy of St. Martin in the Fields, Gabriel Yared | C Minor | 2 | 5A | 82 BPM | ||
The Handsome Mr. Barber | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
Serenade No. 9 KV320 in DMajor "Posthorn": Menuetto | Academy of St. Martin in the Fields, Iona Brown | A Major | 0 | 11B | 137 BPM | ||
Around The World In 80 Days - Overture | Victor Young | E♭ Major | 2 | 5B | 126 BPM | ||
Preying Penniless Woman - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas | C Minor | 1 | 5A | 87 BPM |
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