"Armida, Atto Terzo Scena 6: Infelice Regina! Ancor respira (Ismene, Armida)" by Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Teresa Iervolino, Lenneke Ruiten was released on January 22, 2021. The duration of Armida, Atto Terzo Scena 6: Infelice Regina! Ancor respira (Ismene, Armida) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Armida, Atto Terzo Scena 6: Infelice Regina! Ancor respira (Ismene, Armida)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "Salieri: Armida". In this album, this song's track order is #53. In terms of popularity, Armida, Atto Terzo Scena 6: Infelice Regina! Ancor respira (Ismene, Armida) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Armida, Atto Terzo Scena 6: Infelice Regina! Ancor respira (Ismene, Armida) by Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Teresa Iervolino, Lenneke Ruiten having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 50 in D Minor, Op. 10, No. 5: I. Allegro non tanto | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Minor | 2 | 7A | 76 BPM | ||
Falstaff: Act II Scene 1: Trio: Nell'acqua il buzzone (Betty, Mrs. Ford, Mrs. Slender) | Antonio Salieri, József Gregor, Mária Zempléni, Dénes Gulyás, Istvan Gati, Eva Panczel, Tamas Csurja, Eva Vamossy, Salieri Chamber Chorus, Salieri Chamber Orchestra, Tamas Pal | D Major | 1 | 10B | 165 BPM | ||
Proserpine: Overture in D Major: II. Andante | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Minor | 0 | 7A | 73 BPM | ||
Tarare, Prologue, Scène 1: Ouverture « C'est assez troubler l'univers » (La Nature et les Vents déchaînés) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Judith van Wanroij, Les Chantres du Centre de Musique Baroque de Versailles | G Major | 0 | 9B | 169 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: II. Andante | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | G Major | 1 | 9B | 169 BPM | ||
La Cifra / Act 2: E voi da buon marito...Non vò già' che vi suonino | Antonio Salieri, Cecilia Bartoli, Andrea Perugi, Orchestra of the Age of Enlightenment, Ádám Fischer | A Major | 2 | 11B | 115 BPM | ||
Symphony No. 35 KV385 in DMajor "Haffner": Allegro con spirito | Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 79 BPM | ||
Falstaff: Act II Scene 15: Aria: Ah, ch'a idea cosi gradita (Ford) | Antonio Salieri, József Gregor, Mária Zempléni, Dénes Gulyás, Istvan Gati, Eva Panczel, Tamas Csurja, Eva Vamossy, Salieri Chamber Chorus, Salieri Chamber Orchestra, Tamas Pal | F Major | 2 | 7B | 89 BPM | ||
La grotta di Trofonio: Introduzione | Antonio Salieri, Consortium Classicum | F Major | 1 | 7B | 151 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |
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