- BPM
- 63
- Key
- E♭ Major
- Camelot
- 5B
Pini di Roma: Symphonic Poem: IV. I pini della Via Appia: Tempo di Marcia - Ottorino Respighi, Eugene Ormandy, Philadelphia Orchestra Information
- Acousticness
- 83%
- Danceability
- 12%
- Energy
- 28%
- Instrumentalness
- 88%
- Liveness
- 20%
- Loudness
- 79%
- Speechiness
- 3%
- Valence
- 10%
- Popularity
- 0%
- Loudness
- -12.662 dB
Summary
"Pini di Roma: Symphonic Poem: IV. I pini della Via Appia: Tempo di Marcia" by Ottorino Respighi, Eugene Ormandy, Philadelphia Orchestra was released on 1957. With this song being about 5 minutes long, at 4:35, "Pini di Roma: Symphonic Poem: IV. I pini della Via Appia: Tempo di Marcia" by Ottorino Respighi, Eugene Ormandy, Philadelphia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 104 in the song's album "The Original Jacket Collection - Eugene Ormandy". In this album, this song's track order is #4. Pini di Roma: Symphonic Poem: IV. I pini della Via Appia: Tempo di Marcia is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Pini di Roma: Symphonic Poem: IV. I pini della Via Appia: Tempo di Marcia BPM
With Pini di Roma: Symphonic Poem: IV. I pini della Via Appia: Tempo di Marcia by Ottorino Respighi, Eugene Ormandy, Philadelphia Orchestra having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Pini di Roma: Symphonic Poem: IV. I pini della Via Appia: Tempo di Marcia Key
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | |
 | Prelude In B Minor Opus 104a No.2 | Felix Mendelssohn, Bertrand Chamayou | B Minor | 3 | 10A | 81 BPM | |
 | 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | |
 | Suite No. 2, P. 138: III. Campanae Parisiennses - Aria: Andante Mosso | Ottorino Respighi, RTÉ National Symphony Orchestra | C Major | 0 | 8B | 76 BPM | |
 | Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | |
 | Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | |
 | Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | |
 | Swan Lake, Op. 20, TH. 12: Dance of the Four Swans (Arr. Wild for Piano) | Pyotr Ilyich Tchaikovsky, Yuja Wang | B Minor | 1 | 10A | 113 BPM | |
 | Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.734466552734375
End: 0.7386190891265869