"Le Lagrime d'Orfeo: 26. Cruda morte. Sospirate aure celesti "Euridice"" by Jacopo Peri, Ensemble Pygmalion, Maïlys De Villoutreys, Lucile Richardot, Deborah Cachet, Raphael Pichon, Zachary Wilder was released on May 19, 2017. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 37 in the song's album "Stravaganza d'Amore! The Birth of Opera at the Medici Court". In this album, this song's track order is #5. Le Lagrime d'Orfeo: 26. Cruda morte. Sospirate aure celesti "Euridice" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Lagrime d'Orfeo: 26. Cruda morte. Sospirate aure celesti "Euridice" by Jacopo Peri, Ensemble Pygmalion, Maïlys De Villoutreys, Lucile Richardot, Deborah Cachet, Raphael Pichon, Zachary Wilder having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
King Arthur, Z. 628, Act V: Fairest Isle | Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | A Major | 0 | 11B | 76 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM | ||
All'imperio d'Amore: 2. O fortunato giorno a 30 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | G Minor | 3 | 6A | 113 BPM | ||
Tutto ’l dì piango | Jacopo Peri, Marc Mauillon, Angélique Mauillon | D Major | 1 | 10B | 135 BPM | ||
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
La parca | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique | B♭ Minor | 0 | 3A | 110 BPM | ||
3e livre de viole: Plainte (Lentement) | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | F Major | 1 | 7B | 69 BPM | ||
Amadis / Acte II: Vous ne devez plus attendre | Jean-Baptiste Lully, Hugo Reyne, La Simphonie Du Marais, Choeur Du Marais, Thomas Van Essen, Agathe Boudet, Hélène Richer, Daniel Lalandre | F♯ Minor | 0 | 11A | 117 BPM |
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