Robin Hendrix's 'Baa, Baa, Black Sheep' came out on November 7, 2001. With Baa, Baa, Black Sheep being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 46 in the song's album "Nursery Rhymes & Nursery Songs". In this album, this song's track order is #43. Baa, Baa, Black Sheep is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Baa, Baa, Black Sheep by Robin Hendrix having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Is John Smith | Robin Hendrix | F Major | 0 | 7B | 115 BPM | ||
J.S.Bach - Ch.Gounod. Ave Maria | Lina Mktrchyan (contralto) | C Major | 1 | 8B | 81 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 3: Nur deiner harr ich, niemals Verlorne! (Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | F♯ Major | 1 | 2B | 89 BPM | ||
Charpentier: Te Deum, H. 146: V. Te per orbem terrarum | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, John Aler, Kurt Moll | D Major | 0 | 10B | 87 BPM | ||
Gott Erhalte Franz den Kaiser | Elin Manahan Thomas | G Major | 3 | 9B | 85 BPM | ||
Lohengrin, WWV 75 / Act 1: Einsam in trüben Tagen | Richard Wagner, Gundula Janowitz, Karl Ridderbusch, Bavarian Radio Chorus, Heinz Mende, Bavarian Radio Symphony Orchestra, Rafael Kubelík | D Major | 4 | 10B | 103 BPM | ||
The Weaver's Daughter | Traditional, Robin Hendrix | D Major | 2 | 10B | 81 BPM | ||
Elégie for Soprano, Cello and Piano | Jules Massenet, Pumeza Matshikiza, Sheku Kanneh-Mason, James Baillieu | C Major | 0 | 8B | 122 BPM | ||
Sposa, son disprezzata | Montserrat Caballé | F Minor | 1 | 4A | 106 BPM | ||
Aaria, Jos Joutuisin Kanssasi Valnkilaan | Heikki Rainio | C Minor | 1 | 5A | 76 BPM |
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