"Hamlet Op. 32 - 1932 Production - Act V - i. Introduction to the graveyard scene" by City Of Birmingham Symphony Orchestra, Sir Mark Elder was released on June 28, 2005. With Hamlet Op. 32 - 1932 Production - Act V - i. Introduction to the graveyard scene being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #27. Furthermore, we believe that the track originated from United States. Based on our statistics, Hamlet Op. 32 - 1932 Production - Act V - i. Introduction to the graveyard scene's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hamlet Op. 32 - 1932 Production - Act V - i. Introduction to the graveyard scene by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
Sibelius : The Bard Op.64 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | E♭ Minor | 0 | 2A | 76 BPM | ||
Requiem, Op. 63: IVg. Recordare, Jesu pie | Charles Villiers Stanford, Marta Fontanals-Simmons, Carolyn Sampson, James Way, Ross Ramgobin, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 1 | 9A | 79 BPM | ||
The Firebird: Scene 1: The Firebird's Dance | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B♭ Minor | 0 | 3A | 173 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Britten: A Suite on English Folk Tunes, Op. 90 "A Time There Was": III. Hankin Booby | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | B♭ Major | 2 | 6B | 65 BPM | ||
Andante Cantabile | Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet | B♭ Major | 0 | 6B | 90 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM |
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