Vienna Walzer Orchestra made "Tick-Tack Polka, Op. 365" available on 2004. The duration of Tick-Tack Polka, Op. 365 is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Tick-Tack Polka, Op. 365's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 17 in Best of Johann Strauss (1991-2001) [Jubileum Edition] by Vienna Walzer Orchestra. The popularity of Tick-Tack Polka, Op. 365 is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Tick-Tack Polka, Op. 365 by Vienna Walzer Orchestra is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lord`s Prayer | Vienna Walzer Orchestra | A Major | 2 | 11B | 83 BPM | ||
Charles Gounod: Faust-Walzer aus der Oper " Margarethe " | Ein grosses Orchester, Michael Scholowsky | D Major | 2 | 10B | 197 BPM | ||
Kodaly Quartett, Kontrabass: Istvan Toth, Klavier: Jeno Jando | Marko Simsa | D Major | 1 | 10B | 130 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: VII. in C minor. Allegro assai | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Die Puppenfee (The Fairy Doll): No. 16 Ballabile | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 1 | 10B | 91 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: II. in E minor. Allegretto scherzando | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Louisa's Polka (orch. I. Krejci) | Bedřich Smetana, Slovak Radio Symphony Orchestra, Robert Stankovsky | E♭ Major | 0 | 5B | 85 BPM | ||
Napoli: Act III: Pas de six: Second Lady's solo: Allegretto | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | G Major | 1 | 9B | 85 BPM | ||
Variation 3: I. Andante Lunara | Matthew Slater, London Metropolitan Orchestra | E♭ Major | 2 | 5B | 71 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Vorspiel | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM |
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