"Götterdämmerung, WWV 86D / Act 1: Höre mit Sinn, was ich dir sage" by Richard Wagner, Christa Ludwig, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. Götterdämmerung, WWV 86D / Act 1: Höre mit Sinn, was ich dir sage appears to be safe for all ages as it is not explicit. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Götterdämmerung, WWV 86D / Act 1: Höre mit Sinn, was ich dir sage is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Götterdämmerung, WWV 86D / Act 1: Höre mit Sinn, was ich dir sage by Richard Wagner, Christa Ludwig, Wiener Philharmoniker, Sir Georg Solti having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mer, L.109: 3. Dialogue Of The Wind And The Sea (Dialogue du vent et de la mer) | Claude Debussy, Concertgebouworkest, Bernard Haitink | D♭ Major | 1 | 3B | 83 BPM | ||
Tristia, Op.18: 3. Marche funèbre pour la dernière scène d'Hamlet | Hector Berlioz, Cleveland Orchestra, Pierre Boulez, The Cleveland Orchestra Chorus, Gareth Morrell | A Minor | 1 | 8A | 82 BPM | ||
Requiem: XIV. Agnus Dei | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra | C Major | 0 | 8B | 173 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Parsifal: Act I, Scene I, "He! Ho! Waldhueter ihr!" | Richard Wagner, René Pape, Violeta Urmana, Yuri Alezeev, Yuri Vorobiev, Lia Shevtsova, Olga Legkova, Alexander Timchenko, Andrei Popov, Valery Gergiev, Mariinsky Orchestra | A♭ Major | 0 | 4B | 133 BPM | ||
Götterdämmerung - Concert version / Dritter Aufzug: Finale | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 136 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Leonard Bernstein, New York Philharmonic | C Major | 2 | 8B | 68 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM |
Section: 0.6498141288757324
End: 0.6536617279052734