George Enescu, Rudolf Leopold, Raluca Stirbat's 'Nocturne Et Saltarello for Cello and Piano (1897): Nocturne. Andante' came out on August 1, 2021. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 11 in Enescu: Complete Works for Cello and Piano by George Enescu, Rudolf Leopold, Raluca Stirbat. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. In terms of popularity, Nocturne Et Saltarello for Cello and Piano (1897): Nocturne. Andante is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturne Et Saltarello for Cello and Piano (1897): Nocturne. Andante by George Enescu, Rudolf Leopold, Raluca Stirbat is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wood Music - Concerto pour quintette à vent et orchestre | Olivier Calmel, Scoring Orchestra, Aurélien Azan Zielinski, Mayu Sato-Brémaud, Annelise Clément, Baptiste Gibier, Cyril Normand, Frank Sibold | B Major | 0 | 1B | 67 BPM | ||
Clarinet Concerto: I. Allegro | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | A Major | 2 | 11B | 128 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 1 | 8B | 78 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Piano Quintet in D Major: II. Scherzo vivace | George Enescu, Ensemble Raro, Anna-Liisa Bezrodny | G Major | 0 | 9B | 89 BPM | ||
Berlioz: La Damnation de Faust, Op. 24, H 111, Pt. 1: Marche hongroise | Hector Berlioz, Sir John Barbirolli, Hallé | A Major | 3 | 11B | 94 BPM | ||
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
弦楽のための組曲: 第2楽章: I have a bonnet trimmed with blue/私の青い縁取りのボンネット | John Rutter, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
Impromptu in A-Flat Major | George Enescu, Raluca Stirbat | A♭ Major | 1 | 4B | 133 BPM | ||
Symphony No. 1, Op. 11: I. Allegro di molto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM |
Section: 0.63710618019104
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