"Conversation for Tenor and Bass Trombones" by James Markey was released on December 5, 2009. Since Conversation for Tenor and Bass Trombones is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "on base". In this album, this song's track order is #4. Conversation for Tenor and Bass Trombones is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Conversation for Tenor and Bass Trombones by James Markey having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tuba Suite: III. Allegro con brio | Don Haddad, David Zerkel, Paolo Andre Gualdi | E♭ Major | 0 | 5B | 135 BPM | ||
La toute petite s'endort (arr. for brass ensemble by Jarle Storløkken) | Mel Bonis, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Adoration (arr. for brass ensemble by Jarle Storløkken) | Florence Beatrice Price, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Symphony No. 7 in C Major, Op. 60 "Leningrad" (Excerpts Arr. for Tuba & Trombone) | Dmitri Shostakovich, James Markey, Mike Roylance | B♭ Major | 1 | 6B | 120 BPM | ||
Symphony No. 7 in E Major, WAB 107: IV. Finale. Bewegt, doch nicht schnell (Excerpts Arr. for Tuba & Trombone) | Anton Bruckner, James Markey, Mike Roylance | E Major | 3 | 12B | 72 BPM | ||
That's A Plenty! | Lew Pollack, Gomalan Brass Quintet | F Major | 3 | 7B | 153 BPM | ||
Rhapsody for Alto Saxophone: I. Moderato | André Waignein, N/A, Nortbert Nozy, Royal Symphonic Band of the Belgian Guides | G Major | 3 | 9B | 91 BPM | ||
Preludes, Op. 34: II. Allegretto | James Markey | F Major | 2 | 7B | 116 BPM | ||
Czardas IV | Vittorio Monti, Christian Lindberg, Prince of Denmark Air Force Band | D Major | 2 | 10B | 47 BPM | ||
And Everything Is Still... (Version for Saxophone & Piano) | Andy Scott, Timothy McAllister, Liz Ames | F Minor | 0 | 4A | 69 BPM |
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