"Cantata 147 (1988 Digital Remaster): Jesu, Joy of Man's Desiring (arr. Thalben-Ball)" by Johann Sebastian Bach, Temple Church Choir, Leon Goossens, George Thalben-Ball, Temple Church Choir/Léon Goossens/Sir George Thalben-Ball was released on July 5, 2010. The duration of Cantata 147 (1988 Digital Remaster): Jesu, Joy of Man's Desiring (arr. Thalben-Ball) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Cantata 147 (1988 Digital Remaster): Jesu, Joy of Man's Desiring (arr. Thalben-Ball)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 45 in Essential Wedding by Various Artists. Cantata 147 (1988 Digital Remaster): Jesu, Joy of Man's Desiring (arr. Thalben-Ball) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantata 147 (1988 Digital Remaster): Jesu, Joy of Man's Desiring (arr. Thalben-Ball) by Johann Sebastian Bach, Temple Church Choir, Leon Goossens, George Thalben-Ball, Temple Church Choir/Léon Goossens/Sir George Thalben-Ball is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 109 BPM | ||
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Minor | 0 | 12A | 106 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM |
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