Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri made "Stabat Mater in F Minor, RV 621: No. 7., Eia Mater, fons amoris" available on March 8, 2024. The duration of Stabat Mater in F Minor, RV 621: No. 7., Eia Mater, fons amoris is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Stabat Mater in F Minor, RV 621: No. 7., Eia Mater, fons amoris's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Andreas Scholl, Alessandro Tampieri, Accademia Bizantina's "Invocazioni Mariane" album is number 22 out of 27. On top of that, France appears to be the country where this track was created. In terms of popularity, Stabat Mater in F Minor, RV 621: No. 7., Eia Mater, fons amoris is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Stabat Mater in F Minor, RV 621: No. 7., Eia Mater, fons amoris by Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Allegro | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | E Major | 1 | 12B | 101 BPM | ||
The 4 Seasons: Violin Concerto In F Minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): II. Largo | Sonatori de la Gioiosa Marca, Giuliano Carmignola, Antonio Vivaldi | B♭ Major | 1 | 6B | 82 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | ||
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Minor | 0 | 12A | 106 BPM | ||
24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Boccherini: Cello Concerto No. 9 in B-Flat Major, G. 482: III. Rondo. Allegro (Cadenza by Grützmacher) | Luigi Boccherini, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 2 | 6B | 141 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM |
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