"Cello Concerto: III." by Unsuk Chin, Berliner Philharmoniker, Myung-Whun Chung, Alban Gerhardt was released on December 22, 2023. Since Cello Concerto: III. is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 4 in Chin: Cello Concerto by Unsuk Chin, Berliner Philharmoniker, Myung-Whun Chung, Alban Gerhardt. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Cello Concerto: III. is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Concerto: III. by Unsuk Chin, Berliner Philharmoniker, Myung-Whun Chung, Alban Gerhardt is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiener Bonbons, Walzer, Op. 307 | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | N/A | N/A | N/A | 0 BPM | ||
Concerto for Violin and Orchestra: IV. Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Pablo Ferrandez, Julien Quentin | D Major | 1 | 10B | 88 BPM | ||
Variations on a Theme of Corelli, Op. 42: Coda. Andante | Sergei Rachmaninoff, Kirill Gerstein | D Minor | 0 | 7A | 161 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: Intermezzo I | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | F♯ Major | 0 | 2B | 83 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97, “Rhenish”: II. Scherzo. Sehr mäßig | Robert Schumann, Philzuid, Duncan Ward | D Minor | 2 | 7A | 82 BPM | ||
Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM | ||
Lamento d'Arianna | Claudio Monteverdi, Anastasia Kobekina, Azul Lima | F♯ Major | 2 | 2B | 142 BPM | ||
Kujawiak | Mieczysław Weinberg, Gidon Kremer, Andrei Pushkarev, Kremerata Baltica | A Minor | 1 | 8A | 95 BPM | ||
Příhody Lišky Bystroušky, JW I/9, Act I (Arr. for Voices, Choir & Chamber Orchestra by Fabrice Bollon): Andante | Leoš Janáček, The Lily's Project, Fabrice Bollon | D♭ Minor | 1 | 12A | 91 BPM |
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