Nocturnes, Op. 27: No. 2 in D-Flat Major by Frédéric Chopin, Peter Schmalfuss

Song Analysis

Audio information that is featured on Nocturnes, Op. 27: No. 2 in D-Flat Major by Frédéric Chopin, Peter Schmalfuss.

Acousticness

99%

Energy

3%

Liveness

9%

Speechiness

4%

Danceability

36%

Instrumentalness

94%

Loudness

53%

Valence

7%

Harmonic Matches

Find songs that harmonically matches to Nocturnes, Op. 27: No. 2 in D-Flat Major by Frédéric Chopin, Peter Schmalfuss. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Clair De Lune (from Bergamasque) by Sylvia CapovaClair De Lune (from Bergamasque)Sylvia CapovaD♭ Major03B67
New World Symphony (Excerpt) by Budapest Philharmonic OrchestraNew World Symphony (Excerpt)Budapest Philharmonic OrchestraD♭ Major03B74
Chopin: Waltz In D Flat, Op. 64/1, Chopin: Waltz In D Flat, Op. 64/1, "Minuet"London Festival OrchestraD♭ Major13B111
Suite Bergamasque: III. Clair de Lune by Peter SchmalfussSuite Bergamasque: III. Clair de LunePeter SchmalfussD♭ Major03B130
Dukas: L'apprenti sorcier (Excerpt) by Paul Dukas, Oslo Philharmonic Orchestra, Mariss JansonsDukas: L'apprenti sorcier (Excerpt)Paul Dukas, Oslo Philharmonic Orchestra, Mariss JansonsD♭ Major53B117
Suite bergamasque, L. 75: III. Clair de lune by Claude Debussy, Alexis WeissenbergSuite bergamasque, L. 75: III. Clair de luneClaude Debussy, Alexis WeissenbergD♭ Major03B57
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. LargoAntonín Dvořák, Mariss Jansons, Oslo Philharmonic OrchestraD♭ Major03B73
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII (Andante cantabile) by Sergei Rachmaninoff, Cecile Ousset, Sir Simon Rattle, City Of Birmingham Symphony OrchestraRachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII (Andante cantabile)Sergei Rachmaninoff, Cecile Ousset, Sir Simon Rattle, City Of Birmingham Symphony OrchestraD♭ Major23B84
Chopin: Fantasie Impromptu #4 In C Sharp Minor, Op. 66 by London Festival OrchestraChopin: Fantasie Impromptu #4 In C Sharp Minor, Op. 66London Festival OrchestraD♭ Major13B90
Euryanthe, J. 291, Act III: Act III: Nein! Lasst ihn frei! (Gerard) by Carl Maria von Weber, Josef Traxel, WDR Sinfonieorchester Köln, Joseph KeilberthEuryanthe, J. 291, Act III: Act III: Nein! Lasst ihn frei! (Gerard)Carl Maria von Weber, Josef Traxel, WDR Sinfonieorchester Köln, Joseph KeilberthD♭ Major13B87
Suite bergamasque, L. 75: No. 3, Clair de lune (Arr. L. Caillet for Orchestra) by Claude Debussy, Eugene Ormandy, Philadelphia Orchestra, Philharmonia OrchestraSuite bergamasque, L. 75: No. 3, Clair de lune (Arr. L. Caillet for Orchestra)Claude Debussy, Eugene Ormandy, Philadelphia Orchestra, Philharmonia OrchestraD♭ Major03B165
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording by Frédéric Chopin, Maurizio PolliniNocturne No.8 In D Flat, Op.27 No.2 - 2005 RecordingFrédéric Chopin, Maurizio PolliniD♭ Major03B56
Suite bergamasque, L 75: Clair de lune by Henrik MåweSuite bergamasque, L 75: Clair de luneHenrik MåweD♭ Major03B130
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia) by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony OrchestraSchoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia)Arnold Schoenberg, Daniel Barenboim, Chicago Symphony OrchestraB♭ Minor13A76
Barber: Adagio for Strings, Op. 11a by Samuel Barber, Eugene Ormandy, Philadelphia OrchestraBarber: Adagio for Strings, Op. 11aSamuel Barber, Eugene Ormandy, Philadelphia OrchestraB♭ Minor13A80
Adagio for Strings, Op. 11a by London Philharmonic OrchestraAdagio for Strings, Op. 11aLondon Philharmonic OrchestraB♭ Minor23A78
Adagio for Strings op.11 by Samuel Barber, Thomas Bowes, Joseph Swensen, Malmö Opera OrchestraAdagio for Strings op.11Samuel Barber, Thomas Bowes, Joseph Swensen, Malmö Opera OrchestraB♭ Minor13A79
Adagio For Strings (Platoon) by London Festival OrchestraAdagio For Strings (Platoon)London Festival OrchestraB♭ Minor13A60
Adagio for Strings: Agnus Dei by Samuel Barber, Armonico Consort, Christopher MonksAdagio for Strings: Agnus DeiSamuel Barber, Armonico Consort, Christopher MonksB♭ Minor13A78
Barber: Agnus Dei by Samuel Barber, Winchester Cathedral Choir, David HillBarber: Agnus DeiSamuel Barber, Winchester Cathedral Choir, David HillB♭ Minor13A71
Adagio For Strings, Op.11 by Samuel Barber, Jacek Kaspszyk, London Symphony OrchestraAdagio For Strings, Op.11Samuel Barber, Jacek Kaspszyk, London Symphony OrchestraB♭ Minor03A82
Adagio for Strings, Op.11 by Samuel Barber, Academy of St. Martin in the Fields, Sir Neville MarrinerAdagio for Strings, Op.11Samuel Barber, Academy of St. Martin in the Fields, Sir Neville MarrinerB♭ Minor03A83

Nocturnes, Op. 27: No. 2 in D-Flat Major by Frédéric Chopin, Peter Schmalfuss Information

This song is track #38 in Coffeehouse Classical by Frédéric Chopin, Peter Schmalfuss, which has a total of 50 tracks. The duration of this track is 5:34 and was released on April 30, 2021. As of now, this track is currently not as popular as other songs out there. Nocturnes, Op. 27: No. 2 in D-Flat Major doesn't provide as much energy as other songs but, this track can still be danceable to some people.

Nocturnes, Op. 27: No. 2 in D-Flat Major BPM

Nocturnes, Op. 27: No. 2 in D-Flat Major has a BPM of 105. Since this track has a tempo of 105, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

Nocturnes, Op. 27: No. 2 in D-Flat Major Key

The key of Nocturnes, Op. 27: No. 2 in D-Flat Major is D♭ Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

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