"交響曲 第8番 第3楽章" by ベートーヴェン・ルートヴィヒ・ヴァン, サンティ・ネッロ, NHK Symphony Orchestra was released on February 25, 2020. With this song being about 5 minutes long, at 4:37, "交響曲 第8番 第3楽章" by ベートーヴェン・ルートヴィヒ・ヴァン, サンティ・ネッロ, NHK Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 月光 〜ベートーヴェン・アンソロジー〜, so we believe that "交響曲 第8番 第3楽章" is a single. 交響曲 第8番 第3楽章 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 交響曲 第8番 第3楽章 by ベートーヴェン・ルートヴィヒ・ヴァン, サンティ・ネッロ, NHK Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in F Major, Op. 1 No. 4: I. Spiritoso | Muzio Clementi, HyeJin Kim | F Major | 1 | 7B | 112 BPM | ||
Estudo (1985) | Dimitri Cervo, Lucas Thomazinho | G Major | 2 | 9B | 74 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Molto allegro | Wolfgang Amadeus Mozart, Seiji Ozawa | C Major | 4 | 8B | 141 BPM | ||
Suite No. 4 in D Minor: III. Gavotta | Domenico Zipoli, Giovanni Nesi | F Major | 2 | 7B | 113 BPM | ||
String Quartet No. 2 in F Major, Op. 22: I. Adagio - moderato assai, quasi andantino | Pyotr Ilyich Tchaikovsky, Dudok Quartet Amsterdam | C Major | 4 | 8B | 146 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 38 "Spring": II. Larghetto | Robert Schumann, Antwerp Symphony Orchestra, Philippe Herreweghe | E♭ Major | 0 | 5B | 133 BPM | ||
Sinfonia In E Flat Major, Wq. 183/2, H. 664: I. Allegro Di Molto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Jolantha, Königin von Jerusalem, Act IV: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
30 Études de mécanisme, Op. 849: No. 2 in C Major. Molto allegro | Carl Czerny, Nicolas Horvath | C Major | 1 | 8B | 178 BPM | ||
Piano Concerto No. 3 in D Major, Op. 50: I. Allegro molto | Dmitry Kabalevsky, Hsin-Ni Liu, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Minor | 3 | 8A | 101 BPM |
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